All of us may be players on the world stage, still the question remains why we show the emotional responses to the happenings depicted in the fiction, whether in print or visual presentation, as in real life? Much like dreams our imaginations get introduced to us on the mental screen as though we had been watching television or movies. And just as in dreams the real world gets supplanted by the virtual world even though we are fully awake. That planet still has perfect resemblance to the actual one and what happening in it appears real due to something changing in our cognition faculty. However, the mechanism that triggers our psychological responses remains unchanged and consequently we respond to the fiction in precisely the same manner as in actual life.
Here we have some similarity with the virtual reality of the contemporary computer technologies, which is an artificial environment created by applications. It’s presented to the viewer in such a manner in which the person temporarily suspends own opinion pattern and accepts it as a real atmosphere. In a way it isn’t different from the occurrence of being transported to the imagined world of fiction, except that the computer performing the job is in mind and we don’t have any clue regarding what is the applications and who’s the developer.
That brings us to the cause of psychological reaction itself. In regard to fiction that the most common emotions are likes and dislikes that could become their stronger forms of hate and love. In real life we love or hate a person because of some attachment through kinship, friendship, or even through indirect understanding of the person. One cannot love or hate a person a person does not know in any way. Attachment can also be on other living beings, material things, and to fanciful things. We love or hate a story or even a notion. For an ordinary person it’s impossible to live unattached to things in the world. If a person can get rid of attachment, one unites the rank of educated souls that are indeed rare. We carry our ability and desire for affection even into the fanciful world of fiction. We see the characters we come to know as the narrative progresses, form our likes and dislikes, and react in the identical manner as in real life except that we cannot socialize together physically. But we do socialize with them in our heads and hearts from where the emotions come. The relative impact of Clicking Here on your situation can be dramatic and cause issues of all varieties. It can be difficult to cover all possible examples simply because there is so much involved. That is really a good deal when you think about it, so just the briefest moment to mention something. After all we have read, this is timely and powerful information that should be considered. The balance of this article is not to be overlooked since it can make a huge difference.
The simple fact is that in a certain sense itself is fiction. Just like a story it’s a beginning, an end, and lot of stuff in between. We do not know who writes this fiction will ever understand. So we have an inborn affinity with fiction and cannot fully detach ourselves from it. And perhaps that’s why, while reading or seeing fiction we get dropped subconsciously in the wonderland of creativity, but for this brief period we function exactly in the exact same manner as we want in the real world of our understanding. In that sense fiction is just invented reality.
Theme is the reason fiction things, since it is the quality that provides the narrative a universal appeal. Some say motif is what the story is about, but that’s too ephemeral a definition, which may get confused with all the idea or the plot.
Theme enriches and inspires the reader while saying something profound about the human state. Theme is the abstract concept behind the story forming the story’s heart and soul that the exposition, dialogue, and action reflect every chance they get.
Theme is not the characters or the storyline or the original idea that started the narrative. By way of example, a writer could start with the concept of exploring family connections between girls, but as his story progresses, his theme may appear as forgiveness and understanding between different generations of females. There are some topics on which it is very hard to write any kind of story.
Theme is implied, sometimes without the author’s understanding of it in the beginning; however, more experienced authors usually work on their theme more difficult than any other part of the narrative as soon as they catch on to what it is they’re writing about.
In non-fiction, the writer is advised to hone into his theme and start referring to it right at the very first paragraph. In fiction, on the other hand, the motif generally blossoms through the writing as the story progresses.